119 Quotes & Sayings By Hilary Mantel

Hilary Mantel is a novelist, short story writer, biographer, essayist, critic and author of non-fiction. She was born in London, the daughter of actors Oscar and Eileen Mantell. She attended boarding school in England and also spent four years in France. A Rhodes Scholar at Oxford University, she later received her PhD from the University of Warwick Read more

Her novels include the acclaimed Wolf Hall, published in 2009 to great acclaim; Beyond Black (winner of the Costa Award for fiction in 2010); Bring Up the Bodies (shortlisted for the Man Booker Prize in 2011); and The Assassination of Margaret Thatcher (winner of the Orange Prize for Fiction in 2012). A Man Booker short-listee in 2014 with her novel, Reversible Errors, she has twice been awarded Britain's most prestigious literary prize, the Man Booker Prize.

1
I think now that this is the great division between people. There are people who find life hard and those who find it easy. There are those who have a natural, in-built, expectation of happiness, and there are those who feel that happiness is not to be expected: that it is not, in fact, one of the rights of man. Nor, God knows, one of the rights of women. Hilary Mantel
2
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.", 25 February 2010] . Hilary Mantel
It is the absence of facts that frightens people: the...
3
It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. Hilary Mantel
4
Evidence is always partial. Facts are not truth, though they are part of it — information is not knowledge. And history is not the past — it is the method we have evolved of organising our ignorance of the past. It’s the record of what’s left on the record. It’s the plan of the positions taken, when we to stop the dance to note them down. It’s what’s left in the sieve when the centuries have run through it — a few stones, scraps of writing, scraps of cloth. It is no more “the past” than a birth certificate is a birth, or a script is a performance, or a map is a journey. It is the multiplication of the evidence of fallible and biased witnesses, combined with incomplete accounts of actions not fully understood by the people who performed them. It’s no more than the best we can do, and often it falls short of that. Hilary Mantel
5
When men decided women could be educated - this is what I think - they educated them on the male plan; they put them into schools with mottoes and school songs and muddy team games, they made them were collars and ties. It was a way to concede the right to learning, yet remain safe; the products of the system would always be inferior to the original model. Women were forced to imitate men, and bound not to succeed at it. Hilary Mantel
Those who are made can be unmade.
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Those who are made can be unmade. Hilary Mantel
Some of these things are true and some of them...
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Some of these things are true and some of them lies. But they are all good stories. Hilary Mantel
Give me a book, ” she said. “A book of...
8
Give me a book, ” she said. “A book of sermons, anything.”“ What do you want a book for?”“ I want words. I’ve got to have more words. I was kept stupid on purpose. Hilary Mantel
You know I'm not a man with whom you can...
9
You know I'm not a man with whom you can have inconsequential conversations. I cannot split myself into two, one your friend and the other the king's servant. Hilary Mantel
10
The thing people don't understand about an army is its great, unpunctuated wastes of inaction: you have to scavenge for food, you are camped out somewhere with a rising water level because your mad capitaine says so, you are shifted abruptly in the middle of the night into some indefensible position, so you never really sleep, your equipment is defective, the gunners keep causing small unwanted explosions, the crossbowmen are either drunk or praying, the arrows are ordered up but not here yet, and your whole mind is occupied by a seething anxiety that things are going to go badly because il principe, or whatever little worshipfulness is in charge today, is not very good at the basic business of thinking. It didn't take him many winters to get out of fighting and into supply. In Italy, you could always fight in the summer, if you felt like it. If you wanted to go out. . Hilary Mantel
11
Just think, she said to herself. I could be living on the Right Bank. I could be married to a senior clerk at the Treasury. I could be sitting with my feet up, embroidering a linen handkerchief with a rambling-rose design. Instead I'm on the rue des Cordeliers in pursuit of a baguette, with a three-inch blade for comfort. Hilary Mantel
12
The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for ‘Back off, our prince is fucking this man's daughter.’ He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on. Hilary Mantel
13
Fabre stood up. He placed his fingertips on d‘ Anton’s temples. “Put your fingers here, ” he said. “Feel the resonance. Put them here, and here.” He jabbed at d’ Anton’s face: below the cheekbones, at the side of his jaw. “I’ll teach you like an actor, ” he said. “This city is our stage.” Camille said: “Book of Ezekiel. ‘This city is the cauldron, and we the flesh’ ..”Fabre turned. “This stutter, ” he said. “You don’t have to do it.” Camille put his hands over his eyes. “Leave me alone, ” he said. “Even you.” Fabre’s face was incandescent. “Even you, I am going to teach.” He leapt forward, wrenched Camille upright in his chair. He took him by the shoulders and shook him. “You’re going to talk properly, ” Fabre said. “Even if it kills one of us.” Camille put his hands protectively over his head. Fabre continued to perpetrate violence; d’ Anton was too tired to intervene. Hilary Mantel
14
This revolution - will it be a living?'' We must hope so. Look, I have to go, I'm visiting a client. He's going to be hanged tomorrow.'' Is that usual?'' Oh, they always hang my clients. Even in property and matrimonial cases. Hilary Mantel
15
As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire. Hilary Mantel
He feared, in his secret heart, that one day in...
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He feared, in his secret heart, that one day in company the baby would sit up and speak; that it would engage his eyes, appraise him, and say, 'You prick. Hilary Mantel
17
All that evening he talked to the Candle of Arras, in a low confidential tone. When you get down to it, he thought, there's not much difference between politics and sex; it's all aboutpower. He didn't suppose he was the first person in the world to make this observation. It's a question of seduction, and how fast and cheap you can effect it: if Camille, he thought, approximates to one of those little milliners who can't make ends meet - in other words, an absolute pushover - then Robespierre is a Carmelite, mind set on becoming Mother Superior. You can't corrupt her; you can wave your cock under her nose, and she's neither shocked nor interested: why should she be, when she hasn't the remotest ideawhat it's for? . Hilary Mantel
18
Sion calls Anne an eel, he calls her a slippery dipper from the slime, and he remembers what the cardinal had called her: my serpentine enemy. Sion says, she goes to it with her brother; he says, what, her brother George? ‘Any brother she's got. Those kind keep it in the family. They do filthy French tricks, like —’‘Can you keep your voice down?’ He looks around, as if spies might be swimming by the boat.‘— and that's how she trusts herself she don't give in to Henry, because if she lets him do it and she gets a boy he's, thanks very much, now clear off, girl — so she's oh, Your Highness, I never could allow — because she knows that very night her brother's inside her, licking her up to the lungs, and then he's, excuse me, sister, what shall I do with this big package — she says, oh, don't distress yourself, my lord brother, shove it up the back entry, it'll come to no harm there. . Hilary Mantel
19
There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing. Hilary Mantel
20
The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh. Hilary Mantel
21
Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time. Hilary Mantel
22
But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. Hilary Mantel
23
If you help load a cart you get a ride in it, as often as not. It gives him to think, how bad people are at loading carts. Men trying to walk straight ahead through a narrow gateway with a wide wooden chest. A simple rotation of the object solves a great many problems. Hilary Mantel
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History is not the past — it is the method we have evolved of organising our ignorance of the past Hilary Mantel
25
England is always remaking herself, her cliffs eroding, her sandbanks drifting, springs bubbling up in dead ground. They regroup themselves while we sleep, the landscapes through which we move, and even the histories that trail us; the faces of the dead fade into other faces, as a spine of hills into the mist. Hilary Mantel
26
Fantasy is unconstrained by truth. Hilary Mantel
27
A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires. Hilary Mantel
28
In order not to make a liar out of Henry or Katherine, one or the other, the committee men think up circumstances in which the match may have been partly consummated, or somewhat consummated, and to do this they have to imagine every disaster and shame that can occur between a man and a woman alone in a room in the dark. Hilary Mantel
29
She lives on the fumes of whiskey and the iron in the blood of her prey. Hilary Mantel
30
In the forest you may find yourself lost, without companions. You may come to a river which is not on a map. You may lose sight of your quarry, and forget why you are there. You may meet a dwarf, or the living Christ, or an old enemy of yours; or a new enemy, one you do not know until you see his face appear between the rustling leaves, and see the glint of his dagger. You may find a woman asleep in a bower of leaves. For a moment, before you don’t recognise her, you will think she is someone you know. Hilary Mantel
31
Feminism hasn't failed, it's just never been tried. Hilary Mantel
32
The world moves on so fast, and we lose all chance of being the women our mothers were; we lose all understanding of what shaped them. Hilary Mantel
33
It's not easy to diagnose because depending where the endometrial deposits are, the symptoms can be quite different. It's an unrecognized problem among teenage girls, and it's something that every young woman who has painful menstruation should be aware of. . it's a condition that is curable if it's caught early. If not, if it's allowed to run on, it can cause infertility, and it can really mess up your life.[ Author Hilary Mantel on being asked about being a writer with endometriosis, Nov 2012 NPR interview]. Hilary Mantel
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But I had to think to myself that this was normal, because that was the attitude. I was 19 when I went to see my doctor and I was told it was all in the mind.[ Author Hilary Mantel on being told her endometriosis was imagined pain, From Oct 2009 Daily Mail interview] Hilary Mantel
35
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be pat Hilary Mantel
36
When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them. Hilary Mantel
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...this is what death does to you, it takes and takes, so that all that is left of your memories is a faint tracing of spilled ash. Hilary Mantel
38
The maid found a handkerchief of hers, under the bed in which she had died. A ring that had been missing turned up in his own writing desk. A tradesman arrived with fabric she had ordered three weeks ago. Each day, some further evidence of a task half finished, a scheme incomplete. He found a novel, with her place marked. And this is it. Hilary Mantel
39
His suppressed grief becomes anger. But what can he do with anger? It must also be suppressed. Hilary Mantel
40
Last night he kept the vigil alone. He lay awake, wishing Liz back; waiting for her to come and lie beside him. It's true he is at Esher with the cardinal, not at home at the Austin Friars. But, he thought, she'll know how to find me. She'll look for the cardinal, drawn through the space between worlds by incense and candlelight. Whereever the cardinal is, I will be. Hilary Mantel
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You learn nothing about men by snubbing them and crushing their pride. You must ask them what it is they can do in this world, that they alone can do. Hilary Mantel
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Men say, " Liz reaches for her scissors, "'I can't endure it when women cry'--just as people say, 'I can't endure this wet weather.' As if it were nothing to do with the men at all, the crying. Just one of those things that happen. Hilary Mantel
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He saw that it was the gaps that were important, the spaces between the threads which made the pattern, and not the threads themselves. Hilary Mantel
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By the hairy balls of Jesus Hilary Mantel
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This visit has compacted the court's quarrels and intrigues, trapped them in the small space within the town's walls. The travelers have become as intimate with each other as cards in a pack: contiguous, but their paper eyes blind. Hilary Mantel
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Florence and Milan had given him ideas more flexible than those of people who'd stayed at home. Hilary Mantel
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The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines. Hilary Mantel
48
He says in his defence he never meddled with married women, only with virgins. Hilary Mantel
49
In the first play, the crisis is Thomas More. In the second it’s Anne Boleyn. In the third book, and the third play, it’s crisis every day, an overlapping series of only just negotiable horrors. It’s climbing and climbing. Then a sudden abrupt fall - within days. Hilary Mantel
50
You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy, ’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines. Hilary Mantel
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Innocence is a bleeding wound without a bandage, a wound that opens with every casual knock from casual passers-by. Experience is an armour. Hilary Mantel
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For I chase but one hind, he says, one strange deer timid and wild, and she leads me off the paths that other men have trod, and by myself into the depths of the wood. Hilary Mantel
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To his inner ear, the cardinal speaks. He says, I saw you, Crumb, when you were at Elvetham: scratching your balls in the dawn and wondering at the violence of the king’s whims. If he wants a new wife, fix him one. I didn’t, and I am dead. Hilary Mantel
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A lie is no less a lie because it is a thousand years old. Your undivided church has liked nothing better than persecuting its own members, burning them and hacking them apart when they stood by their own conscience, slashing their bellies open and feeding their guts to dogs. Hilary Mantel
55
What is the nature of the border between truth and lies? It is permeable and blurred because it is planted thick with rumour, confabulation, misunderstandings and twisted tales. Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door. Hilary Mantel
56
Talking to Robespierre, one tried to make the right noises; but what is right, these days? Address yourself to the militant, and you find a pacifist giving you a reproachful look. Address yourself to the idealist, and you’ll find that you’ve fallen into the company of a cheerful, breezy professional politician. Address yourself to means, and you’ll be told to think of ends: to ends, and you’ll be told to think of means. Make an assumption, and you will find it overturned; offer yesterday’s conviction, and today you’ll find it shredded. What did Mirabeau complain of? He believes everything he says. Presumably there was some layer of Robespierre, some deep stratum, where all the contradictions were resolved. Hilary Mantel
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I once had every hope, ’ he says. ‘The world corrupts me, I think. Or perhaps it's just the weather. It pulls me down and makes me think like you, that one should shrink inside, down and down to a little point of light, preserving one's solitary soul like a flame under a glass. The spectacles of pain and disgrace I see around me, the ignorance, the unthinking vice, the poverty and the lack of hope, and oh, the rain — the rain that falls on England and rots the grain, puts out the light in a man's eye and the light of learning too, for who can reason if Oxford is a giant puddle and Cambridge is washing away downstream, and who will enforce the laws if the judges are swimming for their lives? Last week the people were rioting in York. Why would they not, with wheat so scarce, and twice the price of last year? I must stir up the justices to make examples, I suppose, otherwise the whole of the north will be out with billhooks and pikes, and who will they slaughter but each other? I truly believe I should be a better man if the weather were better. I should be a better man if I lived in a commonwealth where the sun shone and the citizens were rich and free. If only that were true, Master More, you wouldn't have to pray for me nearly as hard as you do. Hilary Mantel
58
I picked up a snake once. In Italy.""Why did you do that?"" For a bet."" Was it poisonous?"" We didn't know. That was the point of the bet."" Did it bite you?"" Of course."" Why of course?"" It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid? Hilary Mantel
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When Gregory says, ‘Are they guilty?’ he means, ‘Did they do it?’ But when he says, ‘Are they guilty?’ he means, ‘Did the court find them so?’ The lawyer’s world is entire unto itself, the human pared away. Hilary Mantel
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It is not easy to talk about a condition once dismissed as ‘the career women’s disease’. But women will continue to suffer until we realise the cost of ignoring it Hilary Mantel
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The old always think the world is getting worse; it is for the young, equipped with historical facts, to point out that, compared with 1509, or even 1939, life in 2009 is sweet as honey. Hilary Mantel
62
Life do your worst; we are plump of knee and mild of eye, we are douce, glib and blithe; we inherit the semi, while others inherit the wind. Hilary Mantel
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When a man admits guilt we have to believe him. We cannot set ourselves to proving to him that he is wrong. Otherwise the law courts would never function. Hilary Mantel
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The lawyer's world is entire unto itself, the human pared away. Hilary Mantel
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This is Maximilien de Robespierre, barrister-at-law: unmarried, personable, a young man with all his life before him. Today against his most deeply held convictions he has followed the course of the law and sentenced a criminal to death. And now he is going to pay for it. Hilary Mantel
66
Law of Suspects. Suspects are those: who have in any way aided tyranny (royal tyranny, Brissotin tyranny..); who cannot show that they have performed their civic duties; who do not starve, and yet have no visible means of support; who have been refused certificates of citizenship by their Sections; who have been removed from public office by the Convention or its representatives; who belong to an aristocratic family, and have not given proof of constant and extraordinary revolutionary fervor; or who have emigrated. Hilary Mantel
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Fabre looked up, his mobile face composed. "Good-bye, " he said. "Georges-Jacques--study law. Law is a weapon. Hilary Mantel
68
He looked the Prince up and down, like a hangman taking his measurements. 'Of course there will be a revolution, ' he said. 'You are making a nation of Cromwells. But we can go beyond Cromwell, I hope. In fifteen years you tyrants and parasites will be gone. We shall have set up a republic, on the purest Roman model. Hilary Mantel
69
Your fear is, that if you marry Adèle, you will love her. If you have children, you will love them more than anything else in the world, more than patriotism, more than democracy. If your children grow up, and prove traitors to the people, will you be able to demand their deaths, as the Romans did? Perhaps you will, but perhaps you will not be able to do it. You’re afraid that if you love people you may be deflected from your duty, but it’s because of another kind of love, isn’t it, that the duty is laid upon you?. Hilary Mantel
70
I daresay something will happen, between now and ’91, to make your fortunes look up. Hilary Mantel
71
He runs his eye along the row of knives in their racks, the cleavers for splitting bones. He picks one up, looks at its edge, decides it needs sharpening and says, "Do you think I look like a murderer? In your good opinion?" A silence. After a while, Thurston proffers, "At this moment, master, I would have to say... Hilary Mantel
72
He has never told anyone this story. He doesn't mind talking to Richard, to Rafe about his past--within reason--but he doesn't mean to give away pieces of himself. Hilary Mantel
73
I know what you want. One month after the ascension of Philippe the Gullible, M. Laclos found in a gutter, deceased. Blamed on a traffic accident. Two months after, King Philippe found in a gutter, deceased– it really is a bad stretch of road. Philippe’s heirs and assigns having coincidentally expired, end of the monarchy, reign of M.Danton. Hilary Mantel
74
1776: A declaration of the Parlement of Paris:The first rule of justice is to conserve for each individual that which belongs to him. This is a fundamental rule of natural law, human rights and civil government; a rule which consists not only in maintaining the rights of property, but also those rights vested in the individual and derived from prerogatives of birth and social position. Hilary Mantel
75
And if a diversion is needed, why not arrest a general? Arthur Dillon is a friend of eminent deputies, a contender for the post of Commander-in-Chief of the Northern Front; he has proved himself at Valmy and in a halfdozen actions since. In the National Assembly he was a liberal; now he is a republican. Isn’t it then logical that he should be thrown into gaol, July 1, on suspicion of passing military secrets to the enemy? . Hilary Mantel
76
I make up as little as possible. I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are and to look where things have gone missing. And it's really in the gap - it's in the erasures - that I think the novelist can best go to work because inevitably in history in any period, we know a lot about what happened, but we may be far hazier on why it happened. And there's always the question, why did it happen the way it did? Where was the turning point?. Hilary Mantel
77
The way I tell it, he says to Fitzwilliam, you would think that the blow on the head had improved him. That he actually set out to get it. That every monarch needs a blow on the head, from time to time. Hilary Mantel
78
The reader may ask how to tell fact from fiction. A rough guide: anything that seems particularly unlikely is probably true. Hilary Mantel
79
I aim to make the fiction flexible so that it bends itself around the facts as we have them. Otherwise I don’t see the point. Nobody seems to understand that. Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn’t any necessary conflict between good history and good drama. Hilary Mantel
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Imagination only comes when you privilege the subconscious, when you make delay and procrastination work for you. Hilary Mantel
81
Once you're labeled as mentally ill, and that's in your medical notes, then anything you say can be discounted as an artifact of your mental illness. Hilary Mantel
82
I said to my mother, Henry VII is interesting. No he's not, my mother said. Hilary Mantel
83
You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws. Hilary Mantel
84
Your love of glory must conquer your will to survive; or why fight at all? Why not be a smith, a brewer, a wool merchant? Why are you in the contest, if not to win, and if not to win, then to die? Hilary Mantel
85
How many men can say, as I must, 'I am a man whose only friend is the King of England'? I have everything, you would think. And yet take Henry away, and I have nothing. Hilary Mantel
86
You know what it's like when a cart overturns in the street? Everybody you meet has witnessed it. They saw a man's leg sliced clean off. They saw a woman gasp her last. They saw the goods looted, thieves stealing from the back-end while the carter was crushed at the front. They heard a man roar out his last confession, while another whispered his last will and testament. And if all the people who say they were there had really been there, then the dregs of London would have drained to the one spot, the gaols emptied of thieves, the beds empty of whores, and all the lawyers standing on the shoulders of the butchers to get a better look. Hilary Mantel
87
... every monarch needs a blow on the head, from time to time. Hilary Mantel
88
No man as godly as George, the only fault he finds with God is that he made folk with too few orifices. If George could meet a woman with a quinny under her armpit, he would call out 'Glory be' and set her up in a house and visit her every day, until the novelty wore off. Nothing is forbidden to George, you see. He'd go to it with a terrier bitch if she wagged her tail at him and said bow-wow.' For once he is struck silent. He knows he will never get it out of his mind, the picture of George in a hairy grapple with a little ratting dog. Hilary Mantel
89
Every time you go to see Hamlet you don't expect it to have a happy ending...you're still enthralled.( Interview BBC Radio 4 Today 17 October 2012.) Hilary Mantel
90
... those sectaries in Europe who are always expecting the end of the world, but who hope that, after the earth has been consumed by fire, they will be seated in glory: grilled a little, crisp at the edges and blackened in parts, but still, thanks be to God, alive for eternity, and seated at his right hand. Hilary Mantel
91
If Mary's blood is Spanish, at least it is royal. And at least she can walk straight and has control of her bowels. Hilary Mantel
92
He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir, ' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them. Hilary Mantel
93
But you see, Crumb, it is hard to give up what you have worked at since you were a boy. There were some Italian visitors once, they were cheering us on, Brandon and myself, and they thought that Achilles and Hector had come back to life. So they said.' But which is which? One dragged through the dust by the other ..The king says, 'You turn your boy out beautifully. No nobleman could do more.'' I don't want him to be Achilles, ' he says, 'I only want him not to be flattened. . Hilary Mantel
94
He is not a man wedded to action, Boleyn, but rather a man who stands by, smirking and stroking his beard; he thinks he looks enigmatic, but instead he looks as if he's pleasuring himself. Hilary Mantel
95
He finds he cannot think of the dying men at all. Into his mind instead strays the picture of More on the scaffold, seen through the veil of rain: his body, already dead, folding back neatly from the impact of the axe. The cardinal when he fell had no persecutor more relentless than Thomas More. Yet, he thinks, I did not hate him. I exercised my skills to the utmost to persuade him to reconcile with the king. And I thought I would win him, I really thought I would, for he was tenacious of the world, tenacious of his person, and had a good deal to live for. In the end he was his own murderer. He wrote and wrote and he talked and talked, then suddenly at a stroke he cancelled himself. If ever a man came close to beheading himself, Thomas More was that man. Hilary Mantel
96
As More says, it hardly makes a man a hero, to agree to stand and burn once he is chained to a stake. I have written books and I cannot unwrite them. I cannot unbelieve what I believe. I cannot unlive my life. pg.404 Hilary Mantel
97
Do you look like the photograph on your book jackets? Authors, I find, seldom do. Hilary Mantel
98
As the year goes on, certain deputies–and others, high in public life–will appear unshaven, without coat or cravat; or they will jettison these marks of the polite man, when the temperature rises. They affect the style of men who begin their mornings with a splash under a backyard pump, and who stop off at their street-corner bar for a nip of spirits on their way to ten hours’ manual labor. Citizen Robespierre, however, is a breathing rebuketo these men; he retains his buckled shoes, his striped coat of olive green. Can it be the same coat that he wore in the first year of the Revolution? He is not profligate with coats. While Citizen Danton tears off the starched linen that fretted his thick neck, Citizen Saint-Just’s cravat grows ever higher, stiffer, more wonderful to behold. He affects a single earring, but he resembles less a corsair than a slightly deranged merchant banker. Hilary Mantel
99
Cravats grow higher, as if they mean to protect the throat. The highest cravats in public life will be worn by Citizen Antoine Saint-Just, of the National Convention and the Committee of Public Safety. In the dark and harrowing days of ’94, an obscene feminine inversion will appear: a thin crimson ribbon, worn round a bare white neck. Hilary Mantel
100
He knows different now. It's the living that chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives. Thomas More had spread the rumor that Little Bilney, chained to the stake, had recanted as the fire was set. It wasn't enough for him to take Bilney's life away; he had to take his death too. Hilary Mantel